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Unfortunately, the core mystery never gets more intriguing beyond this opening sequence and is fairly easy to figure out. The colors (credited to both Rain Beredo and John Kalisz) are also exceptional here, keeping the lead up to Jason’s ambush drab with cold blues and grays, which then burst out into fiery red explosions once the bullets start flying. There’s a nice sense of weight to his figure work, aided by the thoughtful designs and rendering of his characters’ heavy coats and disheveled hair once the explosions begin. However, adding Dick’s new dog (Bitewing) with a glum expression in the background is an easy way to lighten the mood.Įqually as important to the success of this opening are Cian Tormey pencils, which capture immense detail in his environments and facial features. It’s not easy to make a gruesome sequence as palatable as Taylor’s script lays it out. Despite the violent opening, Taylor’s script wisely injects some humor as Dick initially doubts this Red Hood is actually Jason Todd…that is until he removes his helmet in plain sight of everyone.
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Dick and Barbara watch body cam footage of Red Hood killing several FBI agents before executing his target, Mr Linkerer, who is revealed as an FBI informant.
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The opening action sequence delivers high stakes thrills and sets the stage for a gripping core conflict.